摘要
郭沫若的《女神》中所表达出来的是一种情绪的恣意释放与飞升,这种恣意通常以一种呼喊的方式出现,即标语口号的诗句。这也成了后人诟病郭沫若诗歌的重要依据。但进入诗歌本身探讨"标语口号"诗句产生前因后果,为其存在的魅力找到合适的阐释也许更为重要,更可见出《女神》在新诗史上的意义。
In the Poetry "Goddess", it expression a kind of release and arbitrariness. This emotion usually appears in the way of exclaim, which can be called the slogan verse. This also became the posterity to denounce Guo Moruo's poetry. This article has emphatically analyzed the forms, the reason and the rationality of the slogan verses. On this basis, this articlemade the comparison with the 30's poetries of Guo Moruo which can be called "genuyne slogans". By the comparison, we can obviously know the significance of "Goddess" in the new poetry of historical.
出处
《钦州学院学报》
2008年第2期82-84,共3页
Journal of Qinzhou University