摘要
我国古代文学批评中的政教审美原则论,主要体现在三个维面:一是诗歌理论批评对政教审美原则论的阐说;二是词学理论批评对政教审美原则论的阐说;三是散文理论批评对政教审美原则论的阐说。上述三个维面,其论说的内容都主要围绕中和之美、微婉合度、温柔敦厚等论题加以展开。它们相互生发、相互共构、相互融通,共同构建出了我国古代文学批评政教审美原则论的骨架。
The theory of aesthetic principles of political teaching in ancient Chinese literary criticism mainly embody in three aspects: one is interpretation from the theoretical criticism of poetry; the other is explaining from the theoretical criticism of Cipoetry; the third is explaining from the theoretical criticism of prose. The above-mentioned three aspects are mainly around the topic such as beauty of counteraction, a degree of tiny and gentle suiting, tenderness and good-nature. They produce each other, compose each other, melt into each other and jointly compose the framework of the theory of aesthetic principles of political teaching in ancient Chinese literary criticism.
出处
《辽宁师范大学学报(社会科学版)》
2008年第4期84-87,共4页
Journal of Liaoning Normal University(Social Science Edition)
基金
国家社会科学基金资助项目(07czw001)
关键词
古代文学
政教之论
审美原则
维面
阐说
ancient literature
the theory of political teaching
aesthetic principles
aspects
interpretation