摘要
实践美学在与后实践美学的论争中已经发展到了一个新的阶段。新实践美学的特点就在于,它把实践美学全面地推向前进。这种前进,不仅表现在对以往实践美学的一些范畴、术语进行新的研究、拓展、开掘,而且也表现在把实践美学的基本思想观点运用到以往实践美学所没有来得及涉及的各种问题和相关领域,还表现在对实践美学的源头——马克思主义创始人的实践观和实践美学思想进行重新整理、理解、诠释。新实践美学的这些新发展、新开掘、新研究,本期新实践美学研究专题中都有鲜明的反映。通过新实践美学的研究,希望可以丰富和活跃中国当代美学,让一个真正的多元共存、繁荣兴旺的美学研究新格局在新的历史时期成为现实。
According to the New Practice Aesthetics,'practice'is the social practice which centers around material production including material production,discourse production and spiritual production.The relations between three different types of practice and beauty,aesthetics and art are different.Seen from occurrence,material production is the root of beauty and aesthetics,discourse production is the medium and spiritual production is the end-result.Seen from ontology,spiritual production is the primary aspect,material is secondary and discourse production is the important aspect.Seen from axiology,discourse production is the prominent factor,spiritual production is the critical factor and material factor is the inherent factor.Seen from externalism,discourse production is the determinate aspect,spiritual production is catalyzing aspect and material production is basal aspect.It is just in the complex reaction of three different types of practice that beauty,aesthetics and art are created.They exist in the fashion of spiritual production with symbolic value and emerge in surface image.Only in this way can we explain the all-sided relations between practice and beauty,aesthetics and art comprehensively and dialectically.
出处
《河南社会科学》
CSSCI
北大核心
2008年第3期16-20,共5页
Henan Social Sciences
关键词
实践美学
后实践美学
新实践美学
美学研究新格局
practice
material production
discourse production
spiritual production
beauty and aesthetics