摘要
含蓄之所以成为中国诗歌特有的审美品格,这既与儒道两家的哲学思想紧密相关,又与中国古诗注重短中见长、以少总多的艺术追求直接相关。含蓄美的获得主要通过象征暗示、侧面着笔、引而不发、以景结情等手法来实现。诗歌的含蓄美对各种艺术形式均有深刻影响。
The reason why connotation has become the unique aesthetic feature in Chinese poems is related not only with the philosophical thoughts in both Confucianism and Taoism but with the artistic orientation of the fact that the Chinese poems emphasize perceptibility and generalization in short forms. And the connotative beauty is achieved mainly through the ways, as symbolization, implication, indirect description, guidance instead of exposition, feelings implied in the description, etc. It exerts deep influences on the various artistic forms.
出处
《内江师范学院学报》
2008年第3期81-85,共5页
Journal of Neijiang Normal University
关键词
含蓄
节制
象征
侧面着笔
引而不发
以景结情
connotation
symbolization
indirect description
guidance instead of exposition
feelings implied in the description