从启蒙主义到后现代主义——中国当代先锋电影思潮论

From Didacticism to Post-modernism——Research on the Thoughts of Chinese Contemporary Avant-garde Movies

从"第五代"到"第六代",中国当代先锋电影经历了从启蒙主义到后现代主义的流变,其演进脉络反映了新时期中国社会整体文化思潮的运转逻辑。先锋电影思潮的基本特征表现为颠覆模式与整合模式的对立统一,前卫的艺术实验中蕴涵着回归传统的因素,边缘的反抗姿态里隐匿了对于中心的向往。作为一个现代艺术范畴,先锋电影与大众文化相伴相生,存在着否定自身的倾向,在成功中趋于媚俗。

From the ＂Fifth Generation＂ to the ＂Sixth Generation＂,Chinese contemporary avant-garde movies come through the change from didacticism to post-modernism,which reflects the changing rule of Chinese social culture trend during new era.The essential trait of Chinese contemporary avant-garde movies is the contradiction between overthrowing mode and conformity mode.Advanced art experimentation contains the factors of returning to tradition and fringe rebellious stance conceals the yearn for focus.As a modern art category,avant-garde movies walk along with popular culture and have the tendency to deny themselves and are inclined to be common.