摘要
韩剧在中国的流行与所谓的儒学"反哺",引起了人们对传统儒教伦理的关注和思考,与之相应的反思、激赏、批判或敌视,都把"全球化"时代文化资本和文化工业的道德功能扩大化了,都是对现代语境中传统德性伦理复兴途径的误解。韩剧的"时尚性"、"世俗性"的消费文化特征、横亘在中韩两国之间的民族主义情绪,都使得所谓的"儒学复兴"、"儒教共同体"的伦理假想成为"狂欢"时代的转瞬即逝的一种"单薄"声音。
The popularity of Korean shows in China and the so-called “feedback” of Confucianism from Korea have attracted wide attention. The meditation, appreciation, criticism and enmity toward the issue have all over-emphasized the ethical functions of cultural capital and cultural industry in the age of “globalization” and misunderstood the way of the revival of traditional ethics in modem contexts. Not only the Korean shows featured as consumer's culture, their fashionableness and worldly concerns, but also the patriotisms that make the Korean and Chinese nations divided have made the ethical fancies like the so-called “revival of Confucianism” and “unity in Confucianism” a weak and ephemeral voice in an age of “carnival”.
出处
《南京师大学报(社会科学版)》
CSSCI
北大核心
2008年第3期155-160,共6页
Journal of Nanjing Normal University(Social Science Edition)
关键词
韩剧
儒学
反哺
误解
Korean shows
Confucianism
feedback
misunderstandings