摘要
阐述了马克斯.韦伯(Max Weber)的"合理化"理论和"理想型"研究方法、特奥多尔.阿多诺(Theodor W.Adorno)以美学为中心充满哲学特性的社会批判理论以及阿尔方斯.西尔伯曼(Alphons Silbermann)的经验主义研究方法对音乐社会学的形成和发展的指导作用。并就我国音乐社会学急待研究的内容和如何学习音乐社会学大师们的研究工作,借鉴他们的理论和经验,提出了初步意见。
This paper believes that Max Weber's "rationalization" theory and the "ideal type" research methods, Theodor W. Adorno's critical theory for society which takes the aesthetics as center and is full of philosophy, and Alphons Silbermann's experiential research methods serve as the guidelines for the formation and development of the sociology of music. Furthermore, this paper also put forward preliminary comments on the pressing research content of the Chinese sociology of music and how to study the researches of those masters in the sociology of music and how to draw lessons from their experiences and the theories.
出处
《西北师大学报(社会科学版)》
CSSCI
北大核心
2008年第2期129-132,共4页
Journal of Northwest Normal University(Social Sciences)