遁归审美——孟浩然之隐逸及其文化意义

Evading to aesthetics——MENG Hao-ran's reclusion and its cultural significance

孟浩然是唐代一位布衣终身的隐逸诗人,但终生都渴望着仕宦,心灵始终痛苦于功业无成。世人眼中纯粹的隐逸诗人孟浩然,实际上经过了后人所期望的隐逸化处理,因而孟浩然形象的历史变迁,凸显了古代文人缺乏探索的勇气而满足于心灵自适的逃遁性格。

MENG Hao - ran is a poet of lifetime civilian in Tang Dynasty. However, he yearned for being an official all his life. He felt agonized not being able to succeed in career. MENG Hao - ran, a typical reclusive poet in the eyes of following generations, in effect had been processed in a reclusive way which is expected by later generations. Although reclusion has certain positive significance, it is after all not a means of exploring, restricting and annihilating evils, In another sense, it is only an advanced skill of being on harmony with evil, Hence, the ups and downs of MENG Hao - rafts image has displayed that ancient literati lacked the courage of exploration and they just had the reclusive character of being self-content in soul.