摘要
《一九八四》以虚构的极权主义社会为母题,展现了真实恐怖的主题。在情境创作中,作者将能指的任意符号作"反常化"处理,以人物"变形"、"异化"手段,以语言的"曲里拐弯"与语义的转移手段,建构了一个极权世界的正反合题,再现极权主义恐怖的主题。以不断地变换"招牌"位置,改变人们习以为常的麻木视角视象,以表达作者对极权主义仇恨的政治诉求,以警示读者极权主义的危害。
On the ＂Abnormity＂ of the Totalitarian From 1984 Abstract： Based on the virtual society of totalitarianism as the motif situation, the novel of 1984 shows the idea of real terror. When describing the circumstance with a sense of emotion and feeling, the author could turn the arbitrary code of signifier into the form of the ＂abnormity＂. The obverse and reverse items combined of the totalitarian society have been built up by means of char- acters＇ ＂deformation＂ and ＂dissimilation＂, of turning-around language and of the converting of language meaning to re-arise the idea signified of totalitarianism horror. Besides, by means of changing the position of signs, people＇ s vision in unawareness of habitual life has been transformed to express the author＇ s political purpose to hatred for totalitarianism, and to warn the danger of totalitarianism for readers.
关键词
极权主义
反常化
政治性
艺术性
totalitarianism de-familiarize nature of politics nature of art
