摘要
陀思妥耶夫斯基笔下出现了许多"分裂的自我"的人物形象。从1846年的《双重人格》开始,他在作品中不断探讨这一母题。本文运用法国学派影响研究的方法,探讨了陀氏这一母题的创作所受到的国内外影响以及对后来作家的影响。
Many of Dostoyevsky＇ s works concern the self-splitting motif which began with The Double in 1846. By adopting French School＇s Influence Research, this paper explores other writers＇ influence on Dostoyevsky both at home and abroad and his influence on later writers concerning this motif.
