摘要
在后现代生活中,电影放弃了对终极意义、绝对价值、生命本质的孜孜以求,不再张扬那种普罗米修斯的人格力量和悲剧精神,开始展示在日常生活中沉默的大多数,在对平凡人物的书写中展示生活的真实本质。电影《耳朵大有福》就是这样一部展现小人物喜怒哀乐的后现代生活范本。本文试图用后现代文化的相关理论来解读这部反映平凡人平凡生活的电影,以期透过电影镜头更深刻地把握其中的内涵。
In the post-modern life, film shows nether on the ultimate meaning, the absolute value and the nature of life, nor on the force of personality and the spirit of the tragedy, it begans on display in the daily life of silence. Most of the characters written on the extraordinary display of the true nature of life. The movie Lucky Dog shows little emotions after the model of modern life. We are trying to use the post-modern cultural theory to interpret this reflecting the lives of ordinary people, with a view to the film through the lens of a more profound grasp of the content.
