摘要
曼杰施塔姆在诗学——艺术美学上出色地建筑起其诗彼得堡式的"声音——情绪——意义"结构。完成这一诗学的最常用、最娴熟的艺术手段是"重构时间"和暗中转换叙述主体,通过这种手段,曼氏使诗的艺术形象具有雕塑性,并营造出一种扑朔迷离的艺术效果。曼杰施塔姆悲剧性的遭遇是世界文化当代命运的象征,同时也典型体现了诗与政治、文学与现代社会、文明与所谓"现代文明"的冲突。曼杰施塔姆其人其诗凝聚着我们文明的发展。
Mandelstam had constructed the "sound--emotion--meaning" , namely Perterberg-Pattem structure successfully based on the aesthetic view with the artistic skills which he used most frequently and adroitly such as "time reconstructing" and secluded relater diversion to make his poetic images be statuesque and realize a kind of misted artistic effect. Mandelstam' s tragical suffering is a symbol of the cultural destiny in the contemporary world and incarnates adequately the collisions between poetry and politics, literature and modem society, culture and so-called modem culture. Mandelstam himself and his poems agglomerate our cultural development.
出处
《北华大学学报(社会科学版)》
2008年第3期96-101,共6页
Journal of Beihua University(Social Sciences)
关键词
曼杰施塔姆
彼得堡式诗结构
现代文化象征
Mandelstam
Perterberg-Pattern poetic structure
Symbol of modem culture