摘要
审美超越意识的两条路线,一条是以文艺的审美特性对抗意识形态,另一条则将意识形态作了区分,强调"审美"意识形态而拉开与"政治"意识形态的距离。两条路线分道扬镳,一条走向了现实批判的方向,试图以审美的方式弥合生存的裂隙;另一条紧握审美之根源,以此描绘审美的完整品格。
There are two ways the Aesthetic Transcending the Ideology. One challenges the ideology through the aesthetical nature of art and literature, while the other discriminating the ideology, emphasizes the ideology of AESTHEIC and shows its distance with the ideology of POLITICS. The two ways separates. One, trying to compensate the gap of existence, tends to criticize the reality. The other discribes the total nature of aesthetic, insisting the origin of aesthetic.
出处
《太原大学学报》
2008年第2期37-42,共6页
Journal of Taiyuan University
基金
国家社科基金项目"中西马克思主义文艺理论观念比较研究"(02EZW001)阶段性成果
关键词
审美
意识形态
马克思主义文论
比较
aesthetic
ideology
Marxist Theory on Literature
Comparison