《〈红楼梦魇〉自序》的潜文本解读

Interpretation on the Subtext of Author＇s Preface of Nightmare in the Red Chamber

张爱玲与曹雪芹文人品格的共性，源于他们共同的末世之感；张爱玲继承了《红楼梦》对悲剧本原的演绎方式，将《红楼梦魇》作为自己的间接诉情文本。同时，《〈红楼梦魇〉自序》为审视张爱玲与《红楼梦》及作者的情感渊源，考察她与曹雪芹在精神特质、审美传达等方面的契合，深入研究张爱玲的创作意识和文本意义，提供新的考察视角。

The commonness between Xueqin Cao＇s and Eileen Zhang＇s scholar characteristics is deeply rooted in their sense of ＂World＇s End＂ in common; inheritating Dream of Red Mansions＇ demonstrating method to the essence of tragedy, Eileen Zhang deemed Nightmare in the Red Chamber as indirect expressive text. Meanwhile, Preface of Nightmare in the Red Chamber provides us with a brandnew point of view of observing the psychological affinity between Eileen Zhang and Dream of Red Mansions, researching into the similarity between Xueqin Cao and her in spiritual features and aesthetical expression and studying Eileen Zhang＇s creation motivation and textual meaning.