从《窦娥冤》看元杂剧与民俗文化之关系

Analysis of the Relationship between the Poetic Drama of the Yuan Dynasty and Folk Custom from the Perspective of The Injustice Suffered by Douer

元杂剧作为中国文化的一种表现形式,它的创作遵照约定俗成的习惯来进行,可以说,它既是艺术表现,也是民俗表现,它与民俗文化关系极为密切。本文从民俗文化的四个层面,即民间传说、民俗语言、民间信仰、民间礼仪与《窦娥冤》的文本创作之联系,来具体阐述这样一个主题———作为元代时代精神的元杂剧,它的出现,是由民俗文化整合的结果,是由民俗文化赋予这个时代以鲜明个性,并以元杂剧这种文学体式表现出来。

As an expression from of Chinese culture created in the light of widely - accepted habit, the poetic drama of Yuan Dynasty is a representation of not only arts but also folk customs, which has a close relation to folk legends, folk languages, folk beliefs and folk etiquettes, this essay attempts to expound on the following subject： as a symbol of the spirits of Yuan Dynasty, the poetic drama of Yuan Dynasty is a production of the integration of folk customs and a literature genre featured bv the characteristics of the time.