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东亚书法史的演变--殷商至20世纪初 被引量:2

The Evolution of the History of East Asia Calligraphy
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摘要 书法艺术是东亚文化的标志之一,东亚书法史是东亚文化史的集中体现。在中国、韩国、日本等国的古文献中,汉字不仅记录了东亚各国共同的文化特征,而且也记录了其共同的艺术——书法的审美历程。自古以来,在汉字基础上发展起来的书法艺术,成为东亚文明中独一无二并能骄傲于整个世界的文化艺术。书法艺术是东亚文化认同的纽带,古往今来,在东亚各国、各地区书法家的努力下,这条纽带由窄渐宽,为世界文化的丰富多彩做出了并仍在继续做出巨大的贡献。 Calligraphy art is a symbol of the culture of East Asia. The calligraphy history of East Asia embodied the cultural history of East Asia. In the ancient documents of China, Korea and Japan, it is recorded by the Chinese characters not only the common cultural characteristics, but also the course of the aesthetics of the common art-calligraphy. Since ancient times, the calligraphy art based on Chinese characters has been the unique cultural art characteristics of the Eastern -Asian civilization, which also be highly praised by the whole world. Calligraphy art is the bond of the cultural recognition of East Asia. With the effort of calligraphers from the countries and districts of East Asia in the past and present, the bond had been tremendously enhanced, which greatly and continuously contributed to the variety of and the bright individuality of the world culture.
出处 《重庆大学学报(社会科学版)》 CSSCI 2008年第3期111-118,共8页 Journal of Chongqing University(Social Science Edition)
基金 国家艺术科学“十五规划”课题“东亚书法史研究”(05BF062)
关键词 东亚 书法史 演变 East Asia the history of calligraphy evolution
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参考文献5

  • 1蒋彝.中国书法[M].上海:上海书画出版社,1986:113.
  • 2陈彬貅.中国文字与书法[M].武汉:武汉古籍书店,1982.
  • 3任昌淳.韩国的书艺[M].日本:近藤出版社,1981.
  • 4李惠凤.韩国7000年美术大系·书艺[M],日本:竹书房,1985.
  • 5藤原鹤来.和汉书道史[M].日本:二玄社,1982.

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