摘要
海子诗歌生命十分短促,但他在有限的创作生涯里,诗人凭着天才的创造力,延伸和扩张了诗人创作的智性空间,从而为世人奉献了数量可观,品位较高的诗歌文本。由于诗人对诗歌理想与理解的提升与深入,以1986年的《太阳·断头篇》为界可分为前后两期,前期较为钟情于"实体",后期极力追求"动作",意象的选择标准因为这种变奏的介入而显为不同,更使他的这两部分作品彰显出两种完全不同的美学趣味。本文即探讨其前后期作品中意象的分裂性特征。
The life of his poetry is very short, but Haizi extends his creative intellectual space with his genius of creation, and produces quite a number of poems with high quality. According to the upgrade of his poetic ideal and interpretation, his creation falls into two periods with 1986' s Sun'Duantoupian as a dividing line, the former period focusing on “entity” and the later period on “action”. The choice standard of image is changing with the intervention of variation, which makes his works manifest two different aesthetics. The paper probes the characteristics of fissility of the images in his works.
出处
《池州学院学报》
2008年第2期70-75,共6页
Journal of Chizhou University
基金
池州学院人文类重点项目(2006XK05)
关键词
海子
诗歌意象
实体
动作
分裂性特征
Haizi
Poetic Image, Entity, Action, Characteristics of Fissility