摘要
古典悲剧理论建立在"肯定本体论"的基础上,而当代悲剧理论则是以"否定本体论"为基础的;作为一种"同一论美学",它们都是对悲剧本质的掩盖。只有将"差异"上升到本体论的高度,通过对精神冲突、灵肉冲突、生命冲突的差异分析,才能使悲剧的审美本质得到真正的揭示。
Classical theory of tragedy is based on the ＂positive -ontology＂, while the modern theory of tragedy is based on the ＂negative-ontology＂. Being a kind of ＂aesthetics of identity＂, both conceal the essence of tragedy. Only to regard ＂variance＂ as ontology and to analyze the difference of spiritual conflict, spir- it - body conflict and bodies＇ conflict, the aesthetic essence of tragedy could fully be revealed.
出处
《南京师范大学文学院学报》
CSSCI
2008年第2期48-53,共6页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
差异本体论
悲剧美学
差异分析法
variance ontology, Aesthetics of Tragedy, variance analysis
