摘要
谢林前期的艺术哲学观中,艺术位于整个哲学体系的顶点。艺术哲学不是作为艺术原理的解释,而成了真正的哲学。这种哲学存在于美感直观,通过美感直观,触及本原存在——绝对同一。而美感直观是理智直观的客观化,其所以可能,源自谢林对自然的重新认识与定位。
In Shelling's early days, he thought art would be on the top of the whole system of philosophy. Not being an explanation of artistic principle, philosophy of art becomes a real philosophy. This kind of philosophy exists in the aesthetic intuition through which it reaches original existence, that is, absolute identity. The aesthetic intuition reflects the objectivity of intellectual intuition, and this possibility comes from Shelling's re - understanding of nature.
出处
《南京师范大学文学院学报》
CSSCI
2008年第2期54-61,共8页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
谢林
艺术哲学
美感直观
Shelling, Philosophy of Art, aesthetic intuition