摘要
《红楼梦》有着庞大的人物群像,作者对宝、黛、钗、凤等主要人物固然是进行了精雕细琢,但对那些地位低微、出场很少、看似无足轻重的所谓"小人物"也进行了独具匠心的精心刻画。文章结合文本分析了《红楼梦》在塑造焦大等"小人物"方面的艺术特征:以写其一点、略及其余的艺术手法,达到个性凸现、独具一格的艺术效果,起到前勾后连、推动情节的重要作用。
The Story of the Stone has portrayed tremendous figures. In the book,the writer not only uses much ink on the protagonists such as Baoyu, Daiyu, Baochai and Xifeng, but also carefully portrays the "small persons" who seem unimportant. This article based on the text, analysis the artic feature that the writer of the "story in red mansions" depicts the unimportant person such as Jiaoda. The writer uses the artic practices of focusing on one point to reach the unique artic effects,and this plays an important role in promoting the story plots.
出处
《成都大学学报(教育科学版)》
2008年第6期106-108,共3页
Journal of Chendu University:Educational Sciences Edition
关键词
《红楼梦》小人物
焦大
傻大姐
兴儿
艺术特征
The Story of the Stone
small persons
Jiaoda
the foolish eider sister
Xing' er
the artical feature