戏曲表演纵想——试探“精、气、神”和手、眼、身、法、步

On Spirit and Movement of Drama Performance

戏曲表演的"精"指的是情感、体验、注意,以及精炼;"气"指的是结合神态、神情及形体动作进行的各种呼吸;"神"则是指心与形的、并由脑控制活动的合体。它们是相辅相成的统一整体,演员紧紧地把握这个整体的同时,融合自己的主观意图,并在意志的催动下创造角色。从排练直到进入剧场,努力地按角色的情感、性格、生活、行动的逻辑线,运用手、眼、身、法、步,设身处地、丝丝入扣、聚精会神,有节奏、动情地歌之舞之,让人物形象呈现于舞台,达到传"情"传"神"的统一。

Emotion, breath and spirit in drama performance is a whole. A performer should apply thewhole with his own understanding when creating characters. He appropriately applies his hand, eyes, body and steps in the performance according to the character＇ s emotion, nature and action so as to represents the character vividly.