摘要
作为战国策派主将陈铨的代表剧作,《野玫瑰》在抗战文学中有着较高的美学价值和文化内涵。但在特殊的历史情境下,它却一度被左翼人士指责为为国民党反动派效劳的法西斯主义文学。本属文艺范畴内的学术争鸣由此上升为以政党政治为背景的话语论争,突出体现了国共两党在文艺领域内对话语权力的激烈争夺,对其后文艺思潮的发展有着深远影响。
As Chen Quan＇s representative works, The Wild Rose possesses a high aesthetic value and cultural connotation. However, under the special historical circumstance, it was criticized as “the Fascist literature” by the leftists. Thus, an originally natural literature argument developed into a combat of discourser against the background of party politics, which shows the heated fight for discourse power between CCP and KMT and has a far-reaching influence on the subsequent development of literature thought.
关键词
《野玫瑰》
话语权力
陈铨
战国策派
the Wild Rose
discourse power
Chen Quan
the school of the warring-states strategy
