摘要
"游"是艺术主体与客体在澄澈清明状态下心与物的紧密结合,是心灵的由静入动的审美体验活动。"游"作为艺术思维的状态,是指审美主体通过强烈的情感、想象和直觉等活动,进入心醉神迷、物我消融,即心与目、物与我相互触发而又相互融为一体的审美境界,从先秦时代开始,中国古代文论家就充分认识到"游"丰富的内涵并加以挖掘,"心游万仞""神与物游""梦往神游"等便是对"游"的文学审美本质的生动诠释。
You is a close combination between artisic subject and object under the somber state and an aesthetic actiity of the soul from the static to the mobile. As a form of aristic thinking, you refers to the movement of aesthetic subject which comes into a new intoxicating and fascinating state between mind and sight, the external and the inner which often spark each other and melt together. From Pre-Qin Age, our ancient literary critics had fully learned the connotation and summarized its rich meanings, such as, uniting the mind and the subtance, even the dream together.
出处
《绥化学院学报》
2008年第3期105-107,共3页
Journal of Suihua University
基金
黑龙江省教育厅人文社会科学研究项目:文学审美范畴通论
关键词
游
物游
神游
you, substance extending, thought extending