摘要
傩戏这一古老的传统文化形式至今还保留在我国许多地方,其表层目的是驱鬼逐疫、除灾呈祥,而内涵是通过仪式活动达到阴阳调和、风调雨顺、五谷丰登和天下太平。根据理查德.谢克纳对戏剧表演空间范围的划分,傩戏可分为埃及式、巴厘式、墨西哥式等几种表演空间范围。同时,从傩戏表演空间范围的变化可以看出其文化的变迁。
Nuo Opera, an ancient form of traditional culture, is still lived in many places in our country. Its surface objective is to expel the ghosts and plague, to eliminate disasters for luck and safety, while its deep meaning is, through ceremonies, to pray for the harmony of Yin and Yang, favorable weather, a good harvest, and a peaceful world. According to the division of the ranges of opera performance space by Richard Schechner, Nun Opera can be divided into several ranges of performance space such as Egyptian style, Paris style, and Mexican style and so on. Meanwhile, the cultural changes of Nun Opera can be made clear from the changes of its ranges of performance space.
出处
《贵州民族研究》
CSSCI
北大核心
2008年第3期65-70,共6页
Guizhou Ethnic Studies
关键词
傩戏
表演空间范围
文化变迁
Nuo Opera, Ranges of Performance Space, Cultural Changes