原始艺术的生态审美特征探析——以广西花山壁画为个案

A Discuss on Ecological Aesthetic Characters of Primal Arts——An Example of Huashan Paintings

从生态美学的视角出发,分析原始艺术的生态审美特征。以壮族先民的花山壁画作为原始艺术的个案,分别从其所由产生的生态环境、人蛙互渗的生态思维以及狂欢仪式的社会生态等三个层面,阐明花山壁画所呈现的壮民族原始艺术独具风格的生态审美特征。由此说明以生态美学审视民族原始艺术谱系的可行性。

This article starts from the visual angle of ecological aesthetics, analyses ecological aesthetic characters of primal arts. It regards Huashan paintings as an example of primal arts, respectively from three aspects of its ecological circumstances, ecological thinking of participation of human-frog, and social ecology of bash ceremonial, clarifies the ecological aesthetic characters of Zhuang nationality＇s primal arts presented in Huashan paintings. According to above discuss, it proves the feasibility of surveying the pedigree of national primal arts from the visual angle of ecological aesthetics.