摘要
明代戏曲论评对批评方法的运用,主要体现在3个方面:一是对意象批评方法的运用;二是对比较批评方法的运用;三是对摘句批评方法的运用。明代戏曲论评作为我国古典曲学发展链条中的一个重要环节,它承上启下,在继承中拓展创新,为不同文学批评方法在清代戏曲论评中的进一步丰富、深化与完善提供了平台。
Applying of critical methods in drama comments during Ming Dynasty was mainly embodied in three aspects: the applying of imagist criticism methods, of comparative criticism methods, and of putting-sentence criticism methods. Drama comments during Ming Dynasty, as an important link of Chinese classical drama theory, connected the proceeding and the following, expanded and developed the inheritance, and provided a platform for different literary critical methods which were further enriched, deepened and perfected in drama criticism in Qing Dynasty.
出处
《海南大学学报(人文社会科学版)》
CSSCI
2008年第3期321-325,共5页
Journal of Hainan University (Humanities & Social Sciences)
基金
国家社会科学基金项目(07czw001)
关键词
明代戏曲论评
批评方法
运用
drama comments during Ming Dynasty
critical methods
applying