斯克里亚宾《五首前奏曲OP.16》创作思维探微

An Exploration into Creation Thoughts in Skriabin's Five Preludes-OP.16

通过对斯克里亚宾《五首前奏曲OP.16》的调性思维基础、曲式结构特征、和声思维模式及其"多层面"技术手法的分析和研究,以探寻作曲家独特的音乐表述方式为主线,辅之以对实际作品细部构造元素的剖析,从而达到解读斯克里亚宾"另类"的内心世界和耐人寻味的个性魅力的目的。

With a profound research on Skriabin＇s Five Preludes-OP. 16 from the perspectives of tonal thinking elements, musical structure features, harmonic thinking pattern as well as other ＂multilayered＂ means of artistic expression, the article tries to explore Skriabin＇s unique musical approach of presentation and analyze the structural elements of the composer＇s works in detail to interpret the composer＇s ＂exceptive＂ inner world and intriguing personality charm.