诗钟格目理论中的几个关键性问题

Some Key Problems on the Theory of ShiZhong's Form-and-item

诗钟体系庞杂,格目繁多,在长期的播流迁衍过程中又产生诸多变异,因而在格目理论的论述上也就矛盾与错乱之处互见。考察诗钟形成及流变的历史可以发现,与传统律诗、绝句一样,诗钟最初也是五言、六言、七言、骈体并存,之后则经历了从"古格"向"今格"转化的过程。其中,准确把握"笼纱"的实质,合理确立"晦明格"与"咏嵌体"这两种兼类现象在诗钟结构体系中的坐标位置,科学界定"集句"、"白解"等术语的性质范畴,又是理清整个诗钟格目体系及其结构层次的关键。

Since ShiZhong＇s system is confused and it＇s forms and items are various, meanwhile ShiZhong has produced many variations during the long-term course of it＇s spread and derivation, that there are many contradictions and confusions in the explanation on the theory of ShiZhong＇s form-and-item. However, if we investigate the history of ShiZhong＇s formment, development and changement, we can find that as the traditional Regulated Verse and Quatrain, there were coexistent of the Five-word ShiZhong, the Six-word ShiZhong, the Seven-word ShiZhong and the Multiword ShiZhong initially, then ShiZhong has gone through the transformed course from Old-form to New-form. When we discuss the Theory of ShiZhong＇s form-and-item, we must grasp the LongSha＇s essence exactly, orientate the two double-types of HuiMing＇s Form and YongQian＇s Style in the ShiZhong＇s structure and system reasonably, define the quality and category of the terms such as JiJu, BaiJie, etc. Scientifically, and these are the keys of putting the form-and-item＇s system and the structure-and-level of ShiZhong in good order.