浅析战国楚漆器的纹饰

A brief Analysis in Decorative Patterns on the Lacquerware of the Chu State during the Period of the Warring States

漆器艺术是一门比汉字更为古老的传统艺术文化。战国时期漆器在中国漆器史上是个大发展和极其繁荣的时代。战国时期的漆器以楚国的最为著名。楚漆器更是一种艺术形式和精神内涵、应用与艺术趣味的完美结合。本文从楚漆器所产生的特殊的社会自然环境和楚风浓郁的人文环境入手,从漆器的主要纹饰及其发生机制、器物造型、装饰手法、色彩的运用等方面展开,深入而全面地阐释楚漆器的纹饰的形成的美学意蕴。

Lacquerware art is a traditional artistic culture older than Chinese characters. During the period of the Warring States, lacquerware attained full development and highest prosperity in Chinese lacquerware history. The lacquerware of the Chu State was most famous during the period of the Warring States. The lacquerware of the Chu State is a perfect combination of the artistic form and cultural connotation, application and artistic taste. This article starts with the special social and natural environments and the surroundings full of the Chu local customs and native culture, in which the lacquerware of the Chu State was produced, and then makes a comprehensive explanation of the aesthetic connotation acquired form decorative patterns on the lacquerware of the Chu State from such aspects as the main decorative patterns and their early development mechanism,the shapes of ware, decorative technique, the utilization of colours, etc.