王旭烽的文化理念写作——论杭嘉和形象与儒家文化的关系

Wang Xu-feng's Cultural Concept Writing——To Discuss the Relationship of Hang Jia-he and Confucianist Culture

王旭烽的长篇小说《茶人三部曲》以"茶"作为载体,从文化角度切入来表现太平天国运动后期至20世纪末的百数十年的社会历史变迁,塑造了众多个性丰满的人物形象,演绎出知识分子在社会历史变迁中的心灵历程,具有"史诗"的壮美宏大。其中杭嘉和形象以其独特深厚的文化内涵给读者留下了深刻印象,集中体现作者的价值取向和审美理想。杭嘉和从个体修养、家庭、社会诸方面体现出文化对人格塑造的决定性影响,尤其是在中国传统文化特别是儒家文化传承中理想人性的实现,揭示了作家文化创作理念及社会道德立场。

The novel ＂trilogy tea＂ of Wang Xu--feng shows social and historical change from a cultural perspective to cut into China from the performance of the Taiping Heavenly Kingdom movement to the late 20th century as the late 100 several decades of. ＂Tea＂ is the vector. It is shaping many of the personality figures presented to intellectuals in the social and historical change in the course of the soul with the ＂epic＂ magnificent ambitious. Hang Jia-he with its own unique image of Chiayi and deep cultural connotation to the readers left a deep impression on the author＇s aesthetic values and ideals. Hang Jia-he from the individual accomplishment, family, social and cultural aspects of the personality of a decisive impact on the shaping, especially in the traditional Chinese culture, especially the Confucian ideal of cultural heritage in the realization of human natures reveals the creative writers and cultural philosophy and social moral position.