摘要
王国维的"境界说"在中国的词学理论史上具有重大而深远的影响。"有我之境"与"无我之境"之间的差别,在于"我相"的泯灭与否,而"我相"的泯灭不是"我"的肉身或自然属性是否消亡,而是"我"的本质的自然消隐。
Wang Guowei's Theory of Artistic Realm has significant and profound influence on theoretical history of Ci study. The difference between Ego-involved Realm and Ego-absent Realm depends on whether dharmalakasana that disappears or not. Moreover, the subsidence of dharmalakasana is not whether the flesh of body or natural humanity does wither away or not, but act lust as a being.
出处
《苏州教育学院学报》
2008年第2期52-54,共3页
Journal of Suzhou College of Education
关键词
无我之境
情
相
Ego-involved Realm
sensibility
dharmalakasana