“重道”与“重情”——从谢灵运到谢月兆看南朝文学批评意识的嬗变

On Valuing "Dao" and Valuing "Feeling"——The Evolution of Literary Criticism Consciousness from Xie Lingyun to Xie Tiao in Southern Dynasty

谢灵运的山水诗以求悟玄理为审美指归,其山水形象多客观性,缺乏完美的意境;谢朓则超越了单纯的悟道,追求人情美与自然美的契合,其山水形象主观情意较浓,重视意境的创造,以审美创造为指归。由此可见南朝文学批评意识从逐步淡化社会功能到追求美学价值的轨迹。

Xie Lingyun＇s poems aim at understanding and the metaphysical, the images in landscape poems lacking objectivity and artistic mood. Xie Tiao surpasses the pure understanding, seeks the combination of the beauty of human feelings and the beauty of nature, the images rich in objective feelings, the artistic mood aesthetic creation more emphasized. Hence we can see the track of the literary criticism consciousness of Southern Dynasty from the gradual lessening of social function to the pursuit of aesthetic value.