伊人宛在水中央——《九歌》中的爱情哲学及其人神语境审美

She appears on the water there——Love philosophy in Jiu Ge and its aesthetic appreciation of communicative context describing human and godness

屈原《九歌》中所描绘的湘水女神聚取天地灵气,以意汇神牵、相知契同的欢喜,情不久长、爱难遇合的哀怨,幻化出一幅幅空灵的爱情场景与具抽象性、普遍性的爱之归宿。其爱情哲学与人神关系语境的言说方式不仅使《九歌》深具华丽、婉约之美,而且还深蕴着情深、情怨之丽。

In Jiu Ge by Qu Yuan, Xiang Godness is described as one who gathers reiki of earth and sky, has harmonious and touching happiness, and complains about short-time gettogether and segregated love. it is putting on one after another play showing heartbreakingly ethereal love and its abstract and general end-results. With its Love philosophy and relationship between human and godnesss, Jiu Ge shows not only wording and flowery beauty but also deep and grumbling-love beauty.