摘要
晚明时节,很多江南名妓以自己的才情、气韵和不懈努力,追求婚姻形式的最后归宿,和名士共同谱写出一首首才子佳人风雨绝恋曲,形成浪漫的士妓婚姻文化。这种婚姻文化不仅是晚明名妓文化的延续,也是晚明社会风雨飘摇的缩影,同时也透露出当时社会个性主义、人文思潮涌动下女性婚恋观的悄然变化。
In the late Ming dynasty , many famous hetaira in south of Yangzi River by their talent, the temperament and the unremitting efforts, pursued a desired end in form of marriage and home. Together with the talented men, they composed many tunes of love and marriage between them, then formed the romantic marriage culture. This kind of marital culture is not only the late Ming dynasty hetaira culture extension, is also the late Ming dynasty society precarious turbulent miniature, simultaneously also discloses the quiet changes of the social individuality principle, the humanities ideological trend surged the feminine love and marriage view at that time
出处
《郑州航空工业管理学院学报(社会科学版)》
2008年第4期54-56,共3页
Journal of Zhengzhou University of Aeronautics(Social Science Edition)
关键词
晚明
江南名妓
名士
婚姻文化
the late Ming dynasty
the famous hetaira in South of Yangzi River
talented men
marriage culture