摘要
作为伊朗民族电影旗手的阿巴斯电影显现出虚构与真实、故事与纪录迷一般的纠缠,使用"自我反映手法"捕捉当下生活体现了他对此在人生的完整关照,也体现了他对人生之真相的哲学思考,人生的存在在阿巴斯的那儿成为电影的实体,透过影像和故事,从阿巴斯电影中折射出来的是他关注人生的悲悯的人道眼光和宽广的人文情怀。
As flagman in Iranian national film,Abbas' films entangle fiction and reality, story and record like riddles. That using"self reflection"technique to capture present life, embodies his integrated concern on life and philosophical thinking on life truth,and the existence of life on him becomes cinematic entity. With image and story,Abbas' films embody his compassionate humanistic insight on life attention and broad humanistic feelings.
出处
《泉州师范学院学报》
2008年第3期122-127,共6页
Journal of Quanzhou Normal University
关键词
虚构
真实
真相
自我反映
纪录电影
fiction
reality
truth
self reflection
documentary film