摘要
本文主要谈了两个方面的问题,一是西方艺术史观的历史演进,二是精神史方法在艺术史研究文本中的生成与运用。"作为精神史的艺术史"是维也纳艺术史家德沃夏克提出的一种艺术史观,对视觉艺术史研究方法论的发展曾做出过重要的贡献,本文试图通过艺术史方法论的生成过程确立精神史方法在艺术史方法论研究中的应有定位。
Here the thesis deals with two problems of arthistory methodology, the first is the historical procession of western art histroy idea, and the sec-ond is the present and practice of Geistesgeschichte in context of art history. The history of art as the his-tory of idea is a concept of art history held by Vienna art historian Max Dvorak, which had played an impor-tant role in visual art history study. This thesis is mainly to establish the Geistesgeschichte’s status in art his-tory methodlogy.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2008年第4期69-73,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
艺术史观
精神史
方法论
eistesgeschichte
rthistory
ethodology