民族电影语境下的“内蒙古电影模式”

On the Film Model of Inner Mongolia in the Context of the Minority Nationality Film

民族电影产业化时期一个值得关注的现象就是"内蒙古电影模式"的产生。聚焦民族的电影制片,以民族学视角进行分析,这就是"内蒙古电影模式"的研究视阈和理论立足点。通过统计分析,我们能够清晰发现"内蒙古电影模式"的表象特征。"内蒙古电影模式"的出现是内蒙古电影发展历史的必然结果,它建立在一定的民族心理、人才依托、指导思想和电影样式的基础之上,是民族电影产业化的一种探索性实践模式。

The Film Model of Inner Mongolia is a phenomenon which deserves attention in the evident marketing period of the minority nationality film industry. Focusing the production of the minority nationality film and analyzing the minority nationality film with the visual angle of ethnology is the research visual threshold and theoretical foothold of Inner Mongolia Film Model By the statistic analysis, we can cleady find the representation feature of Inner Mongolia Film Model. The appearance of Inner Mongolia Film Model is the inevitable outcome of Inner Mongolia Film＇s history development. It is base in the certain national psychology, talented persons backing, guiding ideology and film pattern. Inner Mongolia Film Model is a marketing-exploration practice model of the minority nationality film industry.