摘要
"文革"以后,当代作家的创作观念不断地变化发展,它逐步结束了一体化的文学时代而走向了一个多元化的发展时期。大致的发展轨迹是20世纪70年代末至90年代,当代作家一方面抱着极大的现实干预热情,以文学参与了历史清算、现实调整、文化重建的工作;一方面又有感于过去文学与现实贴得太紧,得不到自由发展空间的教训,开始有意识地追求文学走向自身,为文学而文学的创作成为一股重要的理论与创作潮流。
After the "Cultural Revolution", the creative notion of contemporary writers has been constantly changed and developed to terminate gradually the integrated literature era for a pluralistic development period, Its developing period is roughly from the end of 1970s to 1990s. With great enthusiasm in interfering the reality, contemporary writers on the one hand participated historic liquidation, reality adjustment and cultural reconstruction; and, on the other hand, feeling the lesson that the relationship between literature and reality was too close to have free room for development, they began to seek consciously the trend of literature proper. As a result, literature for literature' s sake has become an important theory and creation trend.
出处
《太原师范学院学报(社会科学版)》
2008年第3期94-97,共4页
Journal of Taiyuan Normal University:Social Science Edition
关键词
解构与重建
理念嬗变
当代作家
多元化
deconstruction and reconstruction
transmutation of notions
contemporary writers
pluralism