摘要
文学意象的生成每一步都不离开创作主体的心理机制而存在。"象"经"相"而成于情意;"象"与"表象"互相发明跃为"意象",主要在于情与意的统摄,作为一种表现方式的意象体现了心理潜在的压抑;"意象"转化为"文学意象"则要求"情绪化捕捉"的能力,象征手法是审查机制的一重构成。
The genesis of literary imagery owes its existence to the psychological mechanism of the subject who invents it. The reason why image （xiang） brings about sensations and ideas by way of appearance （xiang） ; and image （xiang） and the external appearance （ biao xiang） embody each other and are refined into imagery mainly lies in the fact that they are under the control of sensations and ideas, and, as a form of expression, imagery represents potential repression of psychology; and the transformation from ＂imagery＂ into ＂literary imagery＂ requires the ability of ＂sensational grasping＂. In this procedure, symbolic devices are one of the constitutes of censorship.
出处
《山东师范大学学报（人文社会科学版）》
北大核心
2008年第3期141-144,共4页
Journal of Shandong Normal University(Humanities and Social Sciences)
关键词
象
心象
意象
压抑
象征
image （xiang）
mental image （xin xiang ）
imagery
repression
symbol
