摘要
在20世纪90年代的散文热中,上海学者余秋雨的系列文化散文集《文化苦旅》、《山居笔记》相继出版,成为文化圈内外瞩目的焦点。独特的游记体使得它作为一种个性化的文本存在,有着独特的审美意蕴。余秋雨超越时空的文化精神追求、超越传统的自由反思意识,使他的文化散文在关照和审视中华民族文明碎片的过程中获得了一种超越意蕴,不断凸现出自己独特的审美气质,具有独特的审美意义。
In 1990＇s, the series prose works of Yu Qiuyu who is a scholar from shanghai published, which attracted many people＇s eyes. The prose which uses the travel notes style has special aesthetic meaning. Yu Qiuyu＇s prose shows the spirit which out of the time and space, inspection which out of the traditional idea, as well as the mind which out of self-consciousness. The prose has special aesthetic meaning.
出处
《淮南师范学院学报》
2008年第2期1-3,共3页
Journal of Huainan Normal University
关键词
余秋雨散文
审美超越
生命意识
Yu Qiuyu＇s prose
aesthetic existence
spirit consciousness
