摘要
民族音乐学的学科确立从一开始就有了跨学科的性质,但在现代学科聚散共生的发展趋势中,学科发散为民族音乐学跨学科研究提供了多角度、广范围的学术视野,而学科聚合则为民族音乐学跨学科研究寻求了一条具体的实现途径。民族音乐学以不同地区不同民族的音乐现象和音乐成品为研究对象是跨学科研究的必要前提。当下的民族音乐学研究横跨了自然科学、社会科学以及人文科学和技术科学四大领域,实现构建完善的民族音乐学学科理论体系,成为民族音乐学跨学科研究的最终目标。
Since its birth, ethnomusicology has been inter-discipline-oriented. And in the development trend of modern disciplines being mutually-dependent, the disciplinary divergence provides an academic view with multiple perspectives and a large range while the disciplinary convergence provides a concrete way of reali- zation for the inter-disciplinary study of ethnomusicology, the prerequisite for which is that different musical phenomena and products become the Objects of ethnomusicology. Aiming for the construction of a theoretical system, current inter-disciplinary study of ethnomusicology covers four fields, that is, natural sciences, social sciences, humanities and engineering science.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2008年第3期39-45,共7页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
民族音乐学
跨学科研究
聚散共生
移植再生
“T”知识结构
Ethnomusicology
inter-discipline
basis of study
mutual-dependence
T-type structure of knowledge