摘要
1937-1938年冼星海在武汉进行音乐活动。虽然只有不到一年的时间,却是作曲家人生最为辉煌的时期之一。他曾先后组织了数十个抗日救亡歌咏团体,领导、组织并参与了几乎所有的歌咏游行和歌咏大会,举办了个人作品歌咏大会,创作了一百多首歌曲,为中国抗战音乐运动的发展做出贡献。复杂的环境使他认识到中国新音乐的出路,因而最终决定奔赴革命圣地———延安,开始了音乐创作的新巅峰。冼星海在武汉的音乐活动、创作和音乐思想,对武汉抗战音乐活动起到一定积极的作用。
Xian Xinghai engaged music activity in Wuhan during 1937-1938. Even though it was short than one year, but it was the most brilliant period in composer whole life. He organised dozens of singing groups for against Japanese and save the China from extinction, leaded almost all of the singing parts and pa- rades, composed hundreds of songs and presented personal work singing concert. He contributed to developing the movement of against Japanese with music in China. The experience in Wuhan help Xian making decision to go to the revolutionary center Yan'an, started his new climax of music composition. That Xian Xinghai music movement in Wuhan as well as his creation and music ideas in that period was positive action to the music against Japanese movement in Wuhan.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2008年第3期68-75,共8页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
冼星海
三厅
抗战音乐
抗日救亡歌咏运动
Xian Xinghai (1905-1945)
Office No. 3 in Political Department of Kuomintang
music against Japanese
activity of singing songs to against Japanese and save the China from extinction