摘要
音乐的一切表现形式始终贯穿着波动状态的特点,韵的波动状态形式体现在音乐中即是节奏。所有民族器乐的演奏,为了突出音乐的韵味,都是在演奏过程中运用肢体动作控制发音体,将人类对声音的波动状态的美感形式用乐器再现出来。歌唱是波动状态在声韵中的最佳表现形式,也是一切有声艺术美感形成的重要依据。音响的波状流动状态,作为人类最理想的韵味表现形式——贯穿在一切有声艺术的始终,并影响着一切艺术形式的审美追求。
All the manifestations of music are permeated with the characteristic of fluctuant dynamic while rhythm is the reflection of fluctuant dynamic form in music. In order to highlight lingering charm, the performance of all the ethical musical instruments control body with motions during the course of performance, thus reproducing a form of aesthetic feeling of sound fluctuant dynamic. Singing is not only the optimum manifestation of fluctuant dynamic in musical rhyme, but also the important foundation of the evolution of all the vocal aesthetic feeling. As an ideal manifestation of lingering charm to humanity, the state of fluctuant flowing runs through all the vocal arts and influences aesthetic pursuit of all the art forms.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2008年第3期167-170,共4页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
波动状态
节奏
民族器乐
歌唱
理想的韵味表现形式
气韵
Fluctuant Dynamic
Rhythm
Folk Instruments
Singing
Ideal Manifestation of Musical Rhyme