摘要
明代中后期,随着资本主义经济的壮大,思想界的解放,戏曲又迎来一个发展高潮。大量文人操觚染翰,一方面促进戏曲的发展,同时又导致了不少严重的问题。徐复祚针对当时曲坛的绮骈风、案头化、教化论等实际,在剧作方法、戏剧功能、戏剧语言、结构音律诸方面都有较符合戏曲发展规律的见解。
In the late Ming Dynasty, with the growth of the capitalist economy and the ideological emancipation, drama development ushered a climax. Large number of scholars not only promoted the development of opera,but also led to a lot of serious problems.' Xu Fuzuo aimed at the altering of flowery wording,on-the-desk working,moral teaching. He gave his understanding in such varied respects like the creative ways in drama, function of drama, drama language, structure and temperament in drama.
出处
《皖西学院学报》
2008年第3期108-110,124,共4页
Journal of West Anhui University
关键词
徐复祚
曲论
《一文钱》
Xu Fuzuo
theory of opera
A Text of Money