摘要
莫言的新作《生死疲劳》延续了他一贯的民间写作立场与历史意识,却采取了一种戏剧化与狂欢化的方式来审视民间社会与历史,看到了民间社会在主流政治入侵后所发生的改变与异化,以及荒诞的历史表面背后所折射出的巨大悲剧。小说以荒诞化与戏剧化的方式来审视民间与历史的同时,也把复杂的人性放在了历史情势下来审视,使得作品在多维度与多层面上呈现出了丰厚的意蕴。
In his latest work of Fatigue of Life and Death, Mo Yan continues to hold his writing position of folk and historical awareness, but he has taken a kind of dramatic and absurd way to carefully inspect the folk society and history. The book depicts the change and dissimilation of folk society caused by the mainstream politics invasion, along with the enormous tragedy behind the absurdity history. A rich artistic implication is multi-dimensionally reflected by inspecting the complexity of human nature in the historical situation through an absurd and dramatic way.
出处
《山东科技大学学报(社会科学版)》
2008年第3期74-79,共6页
Journal of Shandong University of Science and Technology(Social Sciences)
关键词
莫言
民间写作
历史意识
《生死疲劳》
Mo Yan
writing position of folks historical awareness
Fatigue of Life and Death