摘要
审美人类学是一门方兴未艾的学科,对它的研究任务、性质、对象、研究范式的探讨已经初具规模,但是只注重这些宏观层面的构想和悬设对该学科的建设无疑是杯水车薪。傅其林的《审美意识形态的人类学阐释》一书,梳理了20世纪国外马克思主义审美人类学文艺理论的发展状况,论述了艺术的起源、发展、功能及其与文化的关系等一系列问题的人类学基础,成功地从理论探讨转向个案研究。
Aesthetic Anthropology is an ascendant subject. There have been conspicuous achievements of its exploration in the aspects of research tasks,nature, objectives, and patterns. However, concerning only these macro levels of ideas and suppositions is no double very limited for the construction of this subject. Fu Qihn's Anthropologic Eaxplanation of the Aesthetzc Ideology,cards the development of the 20th century foreign Marxist aesthetic anthropology theory of the arts, discusses a serial of problems of anthropologic foundation about arts' origlns,development,function, and its relationship with culture, etc., thus successfully turning from theoretical exploration to case studies.
出处
《柳州师专学报》
2008年第4期11-14,共4页
Journal of Liuzhou Teachers College
关键词
意识形态
人类学
起源
文化
功能
ideology
anthropolcgy
origin
function
culture