摘要
西方大众文化批评出现伊始就呈现出批判性的特点,其理论发展从本质主义过渡到非本质主义即从关注大众文化产生及其本质的阶段发展到多视野、跨边界解码化的实践性批评阶段。
From its beginning, popular culture criticism in West has presented a character of criticism. The development of its theories is a transformation from naturism to non - naturism, namely, from criticism on the nature of popular culture to a practice of multi - dimensional decoding.
出处
《绵阳师范学院学报》
2008年第4期63-65,共3页
Journal of Mianyang Teachers＇ College
关键词
大众文化批评
中心主义
文化霸权
实践批评
popular culture criticism
centralism
culture hegemony
criticism on practice
