论中国“情感-表现”诗学体系的生成与建构--从厄尔·迈纳《比较诗学》中获得的视角出发

On the Generation and Construction of Chinese "Affective-expressive" Poetic System——From the Perspective of Earl Miner's Comparative Poetics

厄尔.迈纳的《比较诗学》以跨文化的眼光和视野将文类划分为戏剧、抒情诗和叙事文学,同时指出中国诗学作为一种"情感—表现的"诗学产生于抒情诗的背景。这种以文类为基础构建理论体系的特殊视角,为我们提供了反观自身诗学体系的方法性启示。从文类角度出发,重新审视中国诗学体系,我们会对它的"情感—表现"特征有更深刻的认识。同时,作为基础文类的抒情诗歌以及在此基础上产生的原创性诗学观念,对于这种"情感—表现"诗学的生成与建构起到了至关重要的作用。

Earl Miner＇ s Comparative Poetics divides genre into drama, lyrics and narrative literature from a cress-cultural perspective, and also points out that chinese poetics as an ＂Affective-expressive＂ poetics was produced in the poetry background. The special perspective which constructed theoretical system based on genre, provided methods of enlightenment to look back at our own poetic system. From the perspective of genre, reviewing Chinese poetic system, we have more profound understanding of its ＂Affective-expressive＂ features. At the same time, the lyrics as a foundation genre, as well as the originative poetic concepts, playes a crucial role in the generation and construction of ＂Mfective-expressive＂ poetics.