摘要
相声的演出场所经撂地场子、茶馆和园子、电视台三个阶段的变化,推动了艺术的流变。撂地场子促进了相声形成,世俗化环境使早期相声趋于低俗,场子的复合性也使相声成为"综合性艺术"。茶馆和园子环境较为高雅、观众高层化,提高了相声地位并扩大其影响,促使相声文明化和美化,并逐渐转化为"语言的艺术"。电视作为视觉媒体,使相声吸纳大量戏剧元素,采取表演性结构,使之回归了"小喜剧"。
Chinese cross talk is the main stream of the folk art. In it' s history, Chinese cross talk changed greatly, performing place is the key reason. Performing place for the Chinese cross talk includs open space, teahouse theatre, and television. Cross talk became a comprehensive art because of it' s common circmstance and complexity. Teahouse and theatre propeled position and influence of the cross talk. In theatre,the cross talk became civlized art and art of language. As visual media, television absorbed all kinds of elements of drama, for example construction, scene and figure, Cross talk turned in to drama.
出处
《华南农业大学学报(社会科学版)》
CSSCI
2008年第3期124-130,共7页
Journal of South China Agricultural University(Social Science Edition)
基金
2007年山东省艺术类重点项目(2007109)
关键词
相声艺术
演出场所
Chinese cross talk
performing place