“横吹曲”之研究探微

On the Research of "Hengchuiqu"

近些年来,中国音乐史学界对"横吹曲"的研究,以郭茂倩的《乐府诗集》为肇端,逐渐受到关注,其主要成绩在于考察横吹曲的记录与传承,揭示其发展的不同形态以及文献的辨伪等。在此基础上,进一步重视文献的挖掘和整理,运用多元的学术视野,对于研究我国古代南北音乐文化的交流与发展有着极为深远的意义。

The study on ＂Hengchuiqu＂ in the academic circle of Chinese music history began at the ＂Collection of Poems of Yuefu＂ edited by Guo Mao-qian several years ago, and then was paid close attention. The main achievement lies in seeking the record and inheritance of Hengchuiqu so as to reveal its different developmental forms, the distinction of literatures and so on. However, further exploration and arrangement of the literatures from pluralistic academic perspectives has extremely far-reaching significance to study on the exchange and development of Chinese ancient north and south music culture.